Do you love watching and analyzing films in your spare time? Do you see yourself producing film projects of your own creation? If so, the film and video production program will give you the tools you need to bring your stories to life on the big screen!
Allan Hancock College’s film and video production program is home to the latest in digital production and post-production technology, giving students a competitive edge in the dynamic film industry and beyond. The film and video production program focuses on the three core areas of film: video production, screenwriting, and film studies.
Students gain hands-on skills using the latest digital camera, editing, lighting, and sound equipment as they write, produce, and edit their own narrative and documentary projects. Student productions are then highlighted in the annual Allan Hancock College Film Festival in May of each year.
Upon completion, students are well-prepared for a wide variety of in-demand positions, such as camera operator, sound recording technician, and video editor.
This program will help you to:
- utilize camera, sound, editing, and lighting equipment in a professional capacity
- write compelling narrative stories in proper screenplay format and structure
- apply analysis and critical evaluation to cinematic works through discourse and writing
- think critically and creatively
- become a written and visual storyteller
- become more detail-oriented
- learn to collaborate and problem solve
- develop technological expertise
Suggested Course Sequence
The “Suggested Course Sequence” is an example of how to complete the requirements plus any additional general education that may be needed. If you would like to create a personalized Student Education Plan (SEP), schedule a meeting with a counselor.
Fall Semester (Year 1)
Course #
Course Title
Units
A writing course designed primarily to meet the needs of students pursuing career and technical programs. Meets the written composition graduation requirement for an AHC associate's degree. Students who plan to transfer to a four-year institution will need to take ENGL 101 instead of this course to meet the university's first-year composition requirement. Readings will be drawn from the disciplines involved so that students master comprehension and critical reading skills in real-world texts. Writing assignments and projects will similarly be based upon the types of critical thinking and analytical writing required in the students' fields of study. Research methods and skills will be emphasized.
Prerequisite: Placement based upon Allan Hancock College's placement policy.
Designed to help students enhance their analytical reading and writing skills using a wide variety of texts. Emphasizes college-level expository essay construction, communication, and research methods leading to the preparation and writing of a research paper.
An introduction to a variety of international film styles, themes, and directors, as well as to the art of the documentary and experimental film. Emphasis is placed on ways films communicate through acting, photography, sound, and editing.
An introduction to film and video production techniques including cinematography, sound, recording, and video editing. Students make a variety of short video projects that involve narrative story telling and documentary filmmaking techniques. No personal equipment required. It is recommended that students enroll in FILM 380 for additional lab time.
If you take any of the following courses, you will also satisfy the AHC graduation
requirement of area 4B: Communication and Analytical Thinking.
Recommended courses: MATH 100, 105, 123, 135, 181, 321; or select one course from
this list.
Total Units:
14-16
Spring Semester (Year 1)
Course #
Course Title
Units
Presents non-linear video editing including combining clips and digital source materials, editing digital movies, and preparing digital movies for the web. Not open to students who are enrolled in or have received credit for MMAC 125.
Presents non-linear video editing including combining clips and digital source materials, editing digital movies, and preparing digital movies for the web. This course is not open to students who are enrolled in or have received credit for Film 125.
Designed to introduce the student to the fundamentals of photography as a means of personal expression or as a tool for professional growth. Introduces the student to the history of photography, photographic theory, and cultural influences. Emphasizes the adjustable camera for effective visual communication and personal expression. Included will be units on cameras, lighting, exposure, print development, aesthetics, composition, content, and critical evaluation of student work. It includes basic instruction of image editing software for manipulating imagery. Any type of lens-based, image-making device including digital SLR's, 35mm film cameras, smart phones, digital point-and-shoot cameras can be used. Manual digital camera suggested. School cameras are available for checkout. Appropriate for students without prior photographic experience.
A MINIMUM OF 13 UNITS SELECTED FROM THE FOLLOWING:
Course Number |
Course Title |
Units |
Introduction to Animation |
3 |
|
or |
||
Introduction to Animation |
3 |
|
Hollywood and the American Film |
3 |
|
Contemporary Latin American Film |
3 |
|
Film and Television Writing II |
3 |
|
Contemporary Asian Cinema |
3 |
|
Introduction to Sound Recording and Mixing |
3 |
|
Sound Production Techniques |
3 |
|
Directing for the Camera |
2 |
|
Digital Video Post-Production |
3 |
|
or |
||
Digital Video Post-Production |
3 |
|
Independent Projects in Film |
1 - 3 |
|
Special Topics in Film |
3 |
|
Film Festival Production Lab |
2 |
|
Digital Imagery Lab |
1 |
|
Digital Imagery |
3 |
|
Introduction to Multimedia |
2 |
|
Introduction to Multimedia Lab |
1 |
|
Great Directors of the Cinema |
3 |
|
Documentary Production |
2 |
Choose one of the following courses:
- ES 1231, African American History
- HIST 107, U S History to 1877
- HIST 108, US History from 1877 to the Present
- HIST 118, U S History to 1877
- HIST 119, History of California
- POLS 101, Introduction to Political Science
- POLS 103, American Government
If you take any of the following courses, you will also satisfy the AHC Math Competency requirement.
Recommended courses: MATH 100, 105, 123, 135, 181, 321
Total Units:
13 - 17
Summer Semester (Year 2)
Course #
Course Title
Units
A study of the technique of screenwriting for the conventional narrative film and for television. Students are required to complete writing exercises, outlines, character sketches and short screenplays.
Total Units:
3
Fall Semester (Year 2)
Course #
Course Title
Units
Prerequisite: FILM 110
A study of skills necessary for independent filmmaking. The development of short narrative and documentary projects utilizing field production and conventional set techniques is emphasized. Topics include basic production and post-production techniques including, scriptwriting, cinematography, sound recording and non linear editing.
Explores new digital approaches for creating and compositing powerful visual imagery for use in film/video, multimedia, and design. Includes integration of graphics, video, text, and sound on desktop computers. This course is not open to students who are enrolled in or have completed MMAC 126.
Explores new digital approaches for creating and compositing powerful visual imagery for use in film/video, multimedia, and design. Includes integration of graphics, video, text, and sound on desktop computers. This course is not open to students who are enrolled in or have completed FILM 126. Course software: Adobe After Effects and Photoshop.
A MINIMUM OF 13 UNITS SELECTED FROM THE FOLLOWING:
Course Number |
Course Title |
Units |
Introduction to Animation |
3 |
|
or |
||
Introduction to Animation |
3 |
|
Hollywood and the American Film |
3 |
|
Contemporary Latin American Film |
3 |
|
Film and Television Writing II |
3 |
|
Contemporary Asian Cinema |
3 |
|
Introduction to Sound Recording and Mixing |
3 |
|
Sound Production Techniques |
3 |
|
Directing for the Camera |
2 |
|
Digital Video Post-Production |
3 |
|
or |
||
Digital Video Post-Production |
3 |
|
Independent Projects in Film |
1 - 3 |
|
Special Topics in Film |
3 |
|
Film Festival Production Lab |
2 |
|
Digital Imagery Lab |
1 |
|
Digital Imagery |
3 |
|
Introduction to Multimedia |
2 |
|
Introduction to Multimedia Lab |
1 |
|
Great Directors of the Cinema |
3 |
|
Documentary Production |
2 |
Select one course from this list.
Total Units:
11 - 14
Spring Semester (Year 2)
Course #
Course Title
Units
Advisories: ENGL 514
An examination of the documentary form, its impact on culture and society, and its artistic development from the early days of motion pictures through the modern era.
An historical examination of cinema from around the world as well as the personalities, cultures, and social conditions that have contributed to the art form. Comparison and contrast to the Hollywood model will result from critical screenings and class discussions.
A MINIMUM OF 13 UNITS SELECTED FROM THE FOLLOWING:
Course Number |
Course Title |
Units |
Introduction to Animation |
3 |
|
or |
||
Introduction to Animation |
3 |
|
Hollywood and the American Film |
3 |
|
Contemporary Latin American Film |
3 |
|
Film and Television Writing II |
3 |
|
Contemporary Asian Cinema |
3 |
|
Introduction to Sound Recording and Mixing |
3 |
|
Sound Production Techniques |
3 |
|
Directing for the Camera |
2 |
|
Digital Video Post-Production |
3 |
|
or |
||
Digital Video Post-Production |
3 |
|
Independent Projects in Film |
1 - 3 |
|
Special Topics in Film |
3 |
|
Film Festival Production Lab |
2 |
|
Digital Imagery Lab |
1 |
|
Digital Imagery |
3 |
|
Introduction to Multimedia |
2 |
|
Introduction to Multimedia Lab |
1 |
|
Great Directors of the Cinema |
3 |
|
Documentary Production |
2 |
A MINIMUM OF 13 UNITS SELECTED FROM THE FOLLOWING:
Course Number |
Course Title |
Units |
Introduction to Animation |
3 |
|
or |
||
Introduction to Animation |
3 |
|
Hollywood and the American Film |
3 |
|
Contemporary Latin American Film |
3 |
|
Film and Television Writing II |
3 |
|
Contemporary Asian Cinema |
3 |
|
Introduction to Sound Recording and Mixing |
3 |
|
Sound Production Techniques |
3 |
|
Directing for the Camera |
2 |
|
Digital Video Post-Production |
3 |
|
or |
||
Digital Video Post-Production |
3 |
|
Independent Projects in Film |
1 - 3 |
|
Special Topics in Film |
3 |
|
Film Festival Production Lab |
2 |
|
Digital Imagery Lab |
1 |
|
Digital Imagery |
3 |
|
Introduction to Multimedia |
2 |
|
Introduction to Multimedia Lab |
1 |
|
Great Directors of the Cinema |
3 |
|
Documentary Production |
2 |
If you take any of the following courses, you will also satisfy the Multicultural/Gender Studies requirement:
ANTH 102, 103, 105; BUS 141; ECON 141; ENGL 105; GBST 141; GEOG 102, 103; LGBT 101, 102; POLS 104, 105; SOC 101, 102, 120, 122; SPCH 110
Or select one course from this list.
Select one course from this list.
Select one course from this list.
Choose one of the following courses:
- EMS 102, First Aid and Safety
- FSN 109, Basic Nutrition for Health
- HED 100, Health and Wellness
- HUSV 126, Meditation, Mindfulness, and Stress Reduction
Total Units:
13.5 - 19
Program Requirements:
"Program Requirements" specify the courses required for this program. See suggested course sequence for additional information.
A major of 39 units is required for the associate in science degree. Required core courses (26 units):
Course Number | Course Title | Units |
---|---|---|
FILM 101 | Film as Art and Communication | 3 |
FILM 104 | Documentary Studies | 3 |
or | ||
FILM 107 | History of World Cinema | 3 |
FILM 105 | Film and Television Writing 1 | 3 |
FILM 110 | Introduction to Motion Picture and Video Production | 4 |
FILM 111 | Intermediate Motion Picture and Video Production | 4 |
FILM 125 | Computer Video Editing | 3 |
or | ||
MMAC 125 | Computer Video Editing | 3 |
FILM 126 | Introduction to Motion Graphics | 3 |
or | ||
MMAC 126 | Introduction to Motion Graphics | 3 |
PHTO 110 | Basic Photography | 3 |
Plus a minimum of 13 units selected from the following:
Course Number | Course Title | Units |
---|---|---|
ART 115 | Introduction to Animation | 3 |
or | ||
MMAC 115 | Introduction to Animation | 3 |
FILM 102 | Hollywood and the American Film | 3 |
FILM 103 | Contemporary Latin American Film | 3 |
FILM 106 | Film and Television Writing II | 3 |
FILM 109 | Contemporary Asian Cinema | 3 |
FILM 120 | Introduction to Sound Recording and Mixing | 3 |
FILM 121 | Sound Production Techniques | 3 |
FILM 123 | Directing for the Camera | 2 |
FILM 127 | Digital Video Post-Production | 3 |
or | ||
MMAC 127 | Digital Video Post-Production | 3 |
FILM 189 | Independent Projects in Film | 1 - 3 |
FILM 199 | Special Topics in Film | 3 |
FILM 386 | Film Festival Production Lab | 2 |
GRPH 111 | Digital Imagery Lab | 1 |
GRPH 112 | Digital Imagery | 3 |
MMAC 101 | Introduction to Multimedia | 3 |
MMAC 102 | Introduction to Multimedia Lab | 1 |
FILM 119 | Great Directors of the Cinema | 3 |
FILM 129 | Documentary Production | 2 |
Suggested Course Sequence
The "Suggested Course Sequence" is an example of how to complete the requirements plus any additional general education that may be needed. If you would like to create a personalized Student Education Plan (SEP), schedule a meeting with a counselor.
Fall Semester (Year 1)
Course #
Course Title
Units
An introduction to a variety of international film styles, themes, and directors, as well as to the art of the documentary and experimental film. Emphasis is placed on ways films communicate through acting, photography, sound, and editing.
An introduction to film and video production techniques including cinematography, sound, recording, and video editing. Students make a variety of short video projects that involve narrative story telling and documentary filmmaking techniques. No personal equipment required. It is recommended that students enroll in FILM 380 for additional lab time.
Total Units:
7
Spring Semester (Year 1)
Course #
Course Title
Units
Presents non-linear video editing including combining clips and digital source materials, editing digital movies, and preparing digital movies for the web. Not open to students who are enrolled in or have received credit for MMAC 125.
Presents non-linear video editing including combining clips and digital source materials, editing digital movies, and preparing digital movies for the web. This course is not open to students who are enrolled in or have received credit for Film 125.
Designed to introduce the student to the fundamentals of photography as a means of personal expression or as a tool for professional growth. Introduces the student to the history of photography, photographic theory, and cultural influences. Emphasizes the adjustable camera for effective visual communication and personal expression. Included will be units on cameras, lighting, exposure, print development, aesthetics, composition, content, and critical evaluation of student work. It includes basic instruction of image editing software for manipulating imagery. Any type of lens-based, image-making device including digital SLR's, 35mm film cameras, smart phones, digital point-and-shoot cameras can be used. Manual digital camera suggested. School cameras are available for checkout. Appropriate for students without prior photographic experience.
Total Units:
6
Summer Semester (Year 2)
Course #
Course Title
Units
A study of the technique of screenwriting for the conventional narrative film and for television. Students are required to complete writing exercises, outlines, character sketches and short screenplays.
Total Units:
3
Fall Semester (Year 2)
Course #
Course Title
Units
Prerequisite: FILM 110
A study of skills necessary for independent filmmaking. The development of short narrative and documentary projects utilizing field production and conventional set techniques is emphasized. Topics include basic production and post-production techniques including, scriptwriting, cinematography, sound recording and non linear editing.
Explores new digital approaches for creating and compositing powerful visual imagery for use in film/video, multimedia, and design. Includes integration of graphics, video, text, and sound on desktop computers. This course is not open to students who are enrolled in or have completed MMAC 126.
Explores new digital approaches for creating and compositing powerful visual imagery for use in film/video, multimedia, and design. Includes integration of graphics, video, text, and sound on desktop computers. This course is not open to students who are enrolled in or have completed FILM 126. Course software: Adobe After Effects and Photoshop.
A MINIMUM OF 13 UNITS SELECTED FROM THE FOLLOWING:
Course Number |
Course Title |
Units |
Introduction to Animation |
3 |
|
or |
||
Introduction to Animation |
3 |
|
Hollywood and the American Film |
3 |
|
Contemporary Latin American Film |
3 |
|
Film and Television Writing II |
3 |
|
Contemporary Asian Cinema |
3 |
|
Introduction to Sound Recording and Mixing |
3 |
|
Sound Production Techniques |
3 |
|
Directing for the Camera |
2 |
|
Digital Video Post-Production |
3 |
|
or |
||
Digital Video Post-Production |
3 |
|
Independent Projects in Film |
1 - 3 |
|
Special Topics in Film |
3 |
|
Film Festival Production Lab |
2 |
|
Digital Imagery Lab |
1 |
|
Digital Imagery |
3 |
|
Introduction to Multimedia |
2 |
|
Introduction to Multimedia Lab |
1 |
|
Great Directors of the Cinema |
3 |
|
Documentary Production |
2 |
A MINIMUM OF 13 UNITS SELECTED FROM THE FOLLOWING:
Course Number |
Course Title |
Units |
Introduction to Animation |
3 |
|
or |
||
Introduction to Animation |
3 |
|
Hollywood and the American Film |
3 |
|
Contemporary Latin American Film |
3 |
|
Film and Television Writing II |
3 |
|
Contemporary Asian Cinema |
3 |
|
Introduction to Sound Recording and Mixing |
3 |
|
Sound Production Techniques |
3 |
|
Directing for the Camera |
2 |
|
Digital Video Post-Production |
3 |
|
or |
||
Digital Video Post-Production |
3 |
|
Independent Projects in Film |
1 - 3 |
|
Special Topics in Film |
3 |
|
Film Festival Production Lab |
2 |
|
Digital Imagery Lab |
1 |
|
Digital Imagery |
3 |
|
Introduction to Multimedia |
2 |
|
Introduction to Multimedia Lab |
1 |
|
Great Directors of the Cinema |
3 |
|
Documentary Production |
2 |
Total Units:
8 TO 13
Spring Semester (Year 2)
Course #
Course Title
Units
Advisories: ENGL 514
An examination of the documentary form, its impact on culture and society, and its artistic development from the early days of motion pictures through the modern era.
An historical examination of cinema from around the world as well as the personalities, cultures, and social conditions that have contributed to the art form. Comparison and contrast to the Hollywood model will result from critical screenings and class discussions.
A MINIMUM OF 13 UNITS SELECTED FROM THE FOLLOWING:
Course Number |
Course Title |
Units |
Introduction to Animation |
3 |
|
or |
||
Introduction to Animation |
3 |
|
Hollywood and the American Film |
3 |
|
Contemporary Latin American Film |
3 |
|
Film and Television Writing II |
3 |
|
Contemporary Asian Cinema |
3 |
|
Introduction to Sound Recording and Mixing |
3 |
|
Sound Production Techniques |
3 |
|
Directing for the Camera |
2 |
|
Digital Video Post-Production |
3 |
|
or |
||
Digital Video Post-Production |
3 |
|
Independent Projects in Film |
1 - 3 |
|
Special Topics in Film |
3 |
|
Film Festival Production Lab |
2 |
|
Digital Imagery Lab |
1 |
|
Digital Imagery |
3 |
|
Introduction to Multimedia |
2 |
|
Introduction to Multimedia Lab |
1 |
|
Great Directors of the Cinema |
3 |
|
Documentary Production |
2 |
A MINIMUM OF 13 UNITS SELECTED FROM THE FOLLOWING:
Course Number |
Course Title |
Units |
Introduction to Animation |
3 |
|
or |
||
Introduction to Animation |
3 |
|
Hollywood and the American Film |
3 |
|
Contemporary Latin American Film |
3 |
|
Film and Television Writing II |
3 |
|
Contemporary Asian Cinema |
3 |
|
Introduction to Sound Recording and Mixing |
3 |
|
Sound Production Techniques |
3 |
|
Directing for the Camera |
2 |
|
Digital Video Post-Production |
3 |
|
or |
||
Digital Video Post-Production |
3 |
|
Independent Projects in Film |
1 - 3 |
|
Special Topics in Film |
3 |
|
Film Festival Production Lab |
2 |
|
Digital Imagery Lab |
1 |
|
Digital Imagery |
3 |
|
Introduction to Multimedia |
2 |
|
Introduction to Multimedia Lab |
1 |
|
Great Directors of the Cinema |
3 |
|
Documentary Production |
2 |
Total Units:
3 TO 9
Program Requirements:
"Program Requirements" specify the courses required for this program. See suggested course sequence for additional information.
A total of 36 units is required for the certificate.
Required core courses (23 units):
Course Number | Course Title | Units |
---|---|---|
FILM 101 | Film as Art and Communication | 3 |
or | ||
FILM 107 | History of World Cinema | 3 |
FILM 105 | Film and Television Writing 1 | 3 |
FILM 110 | Introduction to Motion Picture and Video Production | 4 |
FILM 111 | Intermediate Motion Picture and Video Production | 4 |
FILM 125 | Computer Video Editing | 3 |
or | ||
MMAC 125 | Computer Video Editing | 3 |
FILM 126 | Introduction to Motion Graphics | 3 |
or | ||
MMAC 126 | Introduction to Motion Graphics | 3 |
PHTO 110 | Basic Photography | 3 |
Plus a minimum of 13 units selected from the following:
Course Number | Course Title | Units |
---|---|---|
ART 115 | Introduction to Animation | 3 |
or | ||
MMAC 115 | Introduction to Animation | 3 |
FILM 102 | Hollywood and the American Film | 3 |
FILM 103 | Contemporary Latin American Film | 3 |
FILM 106 | Film and Television Writing II | 3 |
FILM 120 | Introduction to Sound Recording and Mixing | 3 |
FILM 121 | Sound Production Techniques | 3 |
FILM 123 | Directing for the Camera | 2 |
FILM 127 | Digital Video Post-Production | 3 |
or | ||
MMAC 127 | Digital Video Post-Production | 3 |
FILM 189 | Independent Projects in Film | 1 - 3 |
FILM 386 | Film Festival Production Lab | 2 |
GRPH 111 | Digital Imagery Lab | 1 |
GRPH 112 | Digital Imagery | 3 |
MMAC 101 | Introduction to Multimedia | 3 |
MMAC 102 | Introduction to Multimedia Lab | 1 |
Programs you may also be interested in exploring:
Contact Information
Department Information
John R. Hood, Department Chair
Professor of Art and Design
jhood@hancockcollege.edu
805-922-6966 ext. 3705
Darlene Vera
Administration Assistant II - Fine Arts
darlene.vera@hancockcollege.edu
805-922-6966 ext. 3252
Film Faculty
Tim Webb
Professor, Film/Video
1-805-922-6966, ext. 3671
twebb@hancockcollege.edu
Chris Hite
Professor, Film/Video
1-805-922-6966, ext. 3208
chite@hancockcollege.edu